Home » Almeida Garrett: Correspondência Inédita Do Arquivo Do Conservatório (1836 1841) by Almeida Garrett
Almeida Garrett: Correspondência Inédita Do Arquivo Do Conservatório (1836 1841) Almeida Garrett

Almeida Garrett: Correspondência Inédita Do Arquivo Do Conservatório (1836 1841)

Almeida Garrett

ISBN : 9789722708036
76 pages
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 About the Book 

João Baptista da Silva Leitão de Almeida Garrett, 1st Viscount of Almeida Garrett (Portuguese pronunciation: [aɫˈmɐidɐ ɡaˈʁɛt(ɨ)]- Porto, February 4, 1799 - December 9, 1854) was a Portuguese Romanticist poet, journalist, novelist, dramatist, and Liberal politician and a freemason.João Baptista da Silva Leitão de Almeida Garrett was born João Leitão da Silva in Porto as the son of António Bernardo da Silva Garrett (1740-1834), a Fidalgo of the Royal Household and Knight of the Order of Christ whose mother was the daughter of an Irish father born in exile in France and an Italian mother born in Spain, and wife (m. 1796) Ana Augusta de Almeida Leitão (b. Porto, c. 1770). At an early age, around 4 or 5 years old, he changed his name to João Baptista da Silva Leitão, adding a name from his godfather and altering the order of his surnames.In 1809, his family fled the second French invasion carried out by Soults troops, seeking refuge in Angra do Heroísmo, Terceira Island, Azores. While in the Azores, he was taught by his uncle, Dom Frei Alexandre da Sagrada Família (Faial, Horta, May 22, 1737 – Terceira, Angra do Heroísmo, April 22, 1818), also a freemason, then the 25th Bishop of Angra (1816-1818) and former Bishop of Malaca and Timor- his two other uncles were Manuel Inácio da Silva Garrett, Archdeacon of Angra, and Inácio da Silva Garrett, also a Clergyman of Angra. In childhood, his mulatto Brazilian nanny Rosa de Lima taught him some traditional stories that later influenced his work.In 1818, he moved to Coimbra to study at the local Universitys law school. In 1818, he published O Retrato de Venus, a work for which was soon to be prosecuted, as it was considered materialist, atheist, and immoral- it was during this period that he adopted and added his pen name de Almeida Garrett, who was seen as more aristocratic.Although he did not take active part in the Liberal Revolution that broke out in Porto in 1820, he contributed with two patriotic verses, the Hymno Constitucional and the Hymno Patriótico, which his friends copied and distributed in the streets of Porto. After the Vilafrancada, a reactionary coup d’etat led by the Infante Dom Miguel in 1823, he was forced to seek exile in England. He had just married the beautiful Luísa Cândida Midosi who was only 12 or 13 years old at the time and was the sister of his friend Luís Frederico Midosi, later married to Maria Teresa Achemon, both related to theatre and children of José Midosi (son of an Italian father and an Irish mother) and wife Ana Cândida de Ataíde Lobo. While in England, in Edgbaston, Warwickshire, he began his association with Romanticism, being subject to the first-hand influences of William Shakespeare and Walter Scott, as well as to that of Gothic aesthetics. In the beginning of 1825, Garrett left for France where he wrote Camões (1825) and Dona Branca (1826) – both poems are usually considered the first Romanticist works in Portuguese literature. In 1826, he returned to Portugal, where he settled for two years and founded the newspapers O Portuguez and O Chronista. In 1828, under the rule of King Miguel of Portugal, he was again forced to settle in England, publishing Adozinda and performing his tragedy Catão at the Theatre Royal in Plymouth (see Catão em Plymouth).Almeida Garrett, together with Alexandre Herculano and Joaquim António de Aguiar, took part in the Landing of Mindelo, carried out during the Liberal Wars. When a constitutional monarchy was established, he briefly served as its Consul General to Brussels- upon his return, he was acclaimed as one of the major orators of Liberalism, and took initiative in the creation of a new Portuguese theatre (during the period, he wrote his historical plays Gil Vicente, D. Filipa de Vilhena, and O Alfageme de Santarém).In 1843, Garrett published Romanceiro e Cancioneiro Geral, a collection of folklore- two years later, he wrote the first volu